Eddie Van Halen and Fender have joined forces to bring you EVH® brand guitars, amps and musical products, beginning with a most eagerly awaited musical event: the unveiling of a 300-instrument limited edition run of the Eddie Van Halen Frankenstein™replica electric guitar. This red, black and white ash-body guitar has been put through an astounding aging process to replicate the original down to every last scratch, ding and cigarette burn. Fender craftsmen even scoured the land for 1971 quarters—just like the original Eddie stuck under the original tremolo bridge near the Floyd Rose® Original tremolo bridge. The guitar features a Seymour Duncan® Custom Shop EVH® humbucking pickup, a single master volume knob (that's labeled "Tone") mounted on a partial black pickguard identical to the original. Replicating the original, there's a non-functional three-way switch and single-coil pickup that occupy two of the three pickup cavities. It's a phenomenally crafted piece of rock history—of guitar history, period—and it could only come from Eddie Van Halen and the talented resources of Fender. It simply must be seen, heard and felt to be believed, and it will re-evoke the awestruck wonder and sheer thrill you experienced the first time you saw, heard and felt the incredible musical power of Eddie Van Halen.

Body: Ash. Neck: Maple bolt-on. Tuning Machines: Schaller. Fingerboard: Maple w/12" 16" compound radius. Frets: 21 Jumbo (Dunlop® 6100). Bridge pickup: Seymour Duncan® Custom Shop EVH. Middle pickup: None. Neck pickup: Seymour Duncan® Custom Shop EVH. Controls: Master Volume. Bridge: Floyd Rose® Original Tremolo. Pickup Switching: 3-way. Hardware: Aged Chrome. Strings: .009, .011, .016, .026, .036, .046. Pickguard: One-ply black. Scale Length: 25.5" (648 mm). Width at Nut: 1-5/8" (41.2 mm).

Body: Ash. Neck: Maple bolt-on. Tuning Machines: Schaller. Fingerboard: Maple w/12" 16" compound radius. Frets: 21 Jumbo (Dunlop® 6100). Bridge pickup: Seymour Duncan® Custom Shop EVH. Middle pickup: None. Neck pickup: Seymour Duncan® Custom Shop EVH. Controls: Master Volume. Bridge: Floyd Rose® Original Tremolo. Pickup Switching: 3-way. Hardware: Aged Chrome. Strings: .009, .011, .016, .026, .036, .046. Pickguard: One-ply black. Scale Length: 25.5" (648 mm). Width at Nut: 1-5/8" (41.2 mm).

Many great off-the-shelf electric guitars have had their reputations elevated by the legendary artists who have played them. Once in a while, however, a heavily modified Gibson guitar is used to make such groundbreaking music that the erstwhile "one-off" becomes iconic in and of itself. The best known and most revered of these is arguably Jeff Beck's Oxblood Les Paul guitar. Now, Gibson Custom unveils the most accurate re-creation of the Jeff Beck Oxblood Les Paul ever produced, from its Oxblood finish to the custom-tailored neck profile modeled precisely from Beck's original instrument to the blistering and powerful sounds produced by Gibson's legendary BurstBucker humbucking pickups.The Gibson Jeff Beck Oxblood 1954 Guitar is available in very limited numbers. The first 50 of these historic electric guitars will be carefully aged by the master luthiers at Gibson Custom to look exactly like Beck's original, then personally hand-signed, numbered and played by Beck himself. It includes a specially produced Gibson Custom case with Beck's signature silkscreened on the top and a certificate of authenticity.History British guitarist Jeff Beck made a big name for himself right from the start. After stepping into very big shoes in The Yardbirds as Eric Clapton's replacement, he left to form The Jeff Beck Group with Ron Wood and Rod Stewart in 1967, all before the age of 25. Moving into the 1970s, Beck began forging his reputation as a solo artist—and one of the hottest guitarists of his generation—with a Gibson Les Paul as his leading guitar of choice. And like so many legendary guitars, the Gibson Les Paul in question made its way into Beck's hands not through an endorsement deal, or a gift from the manufacturer, but through the lucky happenstance of some downtime being killed with a little browsing at a local music shop. While recording in Memphis, Beck paid a visit to the popular Strings and Things guitar store to check out the stock. Beck's attention was immediately drawn to a 1954 Gibson Les Paul (occasionally reported to be an early 1955 model), which was to receive some very specific modifications.Body The first request was to replace the guitar's original Goldtop finish with a deep chocolate-brown color that turned out to exhibit some oxblood tints in certain light. Other mods to this Gibson Custom Les Paul included the installation of full-size humbucking pickups in place of the original P-90s, altering the full and rounded early '50s neck shape to a slightly thinner profile, and swapping the original tuners for modern replacements. Legend has it that the customer didn't like the results… but Jeff Beck did. He purchased the modified Les Paul from Strings and Things and played it extensively on the road and in the studio. It would go on to be etched into the minds of millions as Beck's guitar as seen on his milestone 1975 album, Blow By Blow. A tone legend was born.The

Gibson Custom Jeff Beck 1954 Les Paul Oxblood Aged Signed Electric Guitar Standard

This emotive addition to the Custom Shop Tribute Series is an intricate reproduction of Lenny down to the smallest of details from the customized neck that was a gift from ZZ Top's Billy Gibbons, the reflective SRV stickers on the body, the battered headstock to the autograph that Stevie himself etched into the neck plate—even an autograph from legendary baseball great, Mickey Mantle.The original Lenny guitar is a universally recognizable Fender Stratocaster, best known for its uniquely bright and powerful tone and known as one of Stevie Ray Vaughan's favorite instruments throughout his entire career. The guitar itself has an almost mystical heritage that can be traced back to the very beginning of Vaughan's rise to stardom.Lenny's body is similarly storied; its most notable feature is a batwing-shaped inlay believed to be from a 1910 mandolin pickguard and reproduced in exact detail for the replica. The original sunburst finish was removed by heavy sanding, giving Lenny a much more rounded, smoother and softer contoured body than any Strat before or since. Subsequently refinished, the original sunburst finish still peeks through the clear mahogany lacquer. It's easy to imagine Vaughan pulling into a truck stop and adding the SRV stickers to the shrunken, warped and cracked pickguard. The Custom Shop has recreated that ensemble with remarkable authenticity. The pickguard hides yet more treasures—a humbucking pickup cavity, unusually routed in the middle position, and a haphazardly wired control pot assembly with tone pots mounted in reverse. Re-creating the non-original bridge and strap-lock hardware is further evidence of the fastidious attention to detail. Ultimately, however, it's all about Vaughan's music, and he summed Lenny up best when he said, "It's always meant a lot to me. And I love what it sounds like." Stevie Ray Vaughan was just a struggling young guitarist in Austin, Texas, in 1980, when his wife, Lenora 'Lenny' Vaughan, gave him a used Stratocaster that had recently caught his eye in a local pawnshop. It was a 1965 Fender Stratocaster guitar with the original pickups that, from the look of it, had seen better days. Although it began life as a three-color sunburst model, it had obviously been refinished (none too expertly) at some point, and now it had a dark natural finish bearing an elaborate inlay in the body behind the bridge. Nonetheless, there was something about it that clearly and immediately resonated deeply with Vaughan. As Vaughan himself said during an interview published in the Feb. 1990 issue of Guitar Player magazine: It's called Lenny. I found it at a pawnshop and didn't have the money to buy it, and my wife and several other friends of mine put a pool together and bought the guitar. It's always meant a lot to me. And I love what it sounds like. "Riviera Paradise" and "Lenny" (Texas Flood) are both played on the same guitar

SRV-sanded, contoured body. Billy Gibbons-customized neck. Reflective SRV stickers. 1900s-style mandolin body inlay. Mickey Mantle autograph. "Stevie Ray Vaughan 80" etched by SRV onto neck plate. Meticulously replicated wear and tear—. stratches, nicks, dings, and paint wear. Cigarette body burns recreated using SRV's cigarette brand. Reverse-mounted tone pots. SRV's non-original bridge and non-standard strap buttons. Recreation of cracked headstock end and worn-in string winder impressions. Flight case with Vaughan's name embroidered in the case fabric.

SRV-sanded, contoured body. Billy Gibbons-customized neck. Reflective SRV stickers. 1900s-style mandolin body inlay. Mickey Mantle autograph. "Stevie Ray Vaughan 80" etched by SRV onto neck plate. Meticulously replicated wear and tear—. stratches, nicks, dings, and paint wear. Cigarette body burns recreated using SRV's cigarette brand. Reverse-mounted tone pots. SRV's non-original bridge and non-standard strap buttons. Recreation of cracked headstock end and worn-in string winder impressions. Flight case with Vaughan's name embroidered in the case fabric.

The PS #2032 Private Stock Single Cutaway Hollow-body 1 Electric Guitar represents a rare opportunity for customers to own an incredible and truly one-of a kind guitar. The PS #2043 features an unusual thin-line single cutaway body design with a superb curly maple top finished in stunning glacial blue, and a South American mahogany back and neck. This body has been carved inside and out with only a small block under the bridge connecting the back and top, and offers brilliant acoustic qualities for a thin-line hollow electric. The PS 2043 has a 25" scale, a wide fat neck profile, and a 22-fret Brazilian rosewood fingerboard with a 10" radius. This is an extremely comfortable guitar that is lightweight and well-balanced, played seated or standing. The PS 2043 is adorned with beautiful white mother-of-pearl and paua purfling around the top, fingerboard and truss rod cover. (paua is the lusterous blue-green shell of a harvested New Zealand sea snail). The head-stock is topped with a Brazilian rosewood veneer that highlights a mother-of-pearl eagle and the fingerboard is dressed with mother-of-pearl bird inlays.The acclaimed 1957/2008 pickups offered on this guitar achieve an amazing assortment of both vintage and modern sounds. PRS has obtained exclusive rights to the original pickup wire used in the most revered pickups in the 50's. These rights was granted in 2008, and 1957 was the year the humbucker was first commercially available, hence the 1957/2008 name. These pickups are fitted with classic nickel covers. In addition, an onboard patented PRS/LR Baggs Piezo System, gives you a wonderful acoustic guitar sounds and provides a huge array of tones and simple switching possibilities. You can plug into your PA or recording console and your amp at the same time. These two outstanding pickup systems combined on one instrument provide a tonal palette suitable for any musical artist.PRS Guitars' has always strived to build the highest quality instruments possible, and their goal in the Private Stock program is to do this same thing, but take it up another level. These finely crafted instruments are specially ordered and built to customer specifications. The Private Stock team consists of a small crew of highly talented, seasoned guitar makers working at PRS Guitars. The woods are carefully picked from the PRS "Private Stash" and these extraordinary pieces of wood are some of the best instrument grade woods found on the planet. Each guitar is stained with a complex special technique to bring out the most figure and create a unprecedented three dimensionality. The instrument is carefully guided through each craftsman's hands, and finally checked by Paul and myself to ensure the best instrument possible. Each instrument is signed by Paul and receives a Private Stock number along with a letter of authenticity describing the specifications and feature of that particular instrument.

Model: PS #2032 Single Cutaway Hollow Body 1 Electric Guitar. Top: Curly Maple. Back: South American Mahogany. Neck: South American Mahogany. Neck Joint: Set. Neck Profile: Wide Fat. Fingerboard: Brazilian Rosewood. Number of Frets: 22. Fingerboard Binding: White Mother-Of-Pearl with Paua outline. Fingerboard Purfling: White Mother-Of-Pearl with Paua outline. Fingerboard Radius: 10". Scale Length: 25". Nut width: 1-11/16". Body Binding: Paua. Body Purfling: White Mother-Of-Pearl with Paua outline. Truss Rod Cover: Brazian Rosewood with White Mother-Of-Pearl Purfling with Paua outline. Pickups: PRS 57/08 with Nickel Covers with Piezo Acoustic Saddle pickup. Pickup Switching. Volume and tone control with 3-way toggle pickup selector. Piezo Option. LR Baggs/PRS Piezo patented pickup system incorporated into the adjustable PRS stoptail, individual string voicing, real acoustic guitar modeling. Hardware: Nickel. Tuning Pegs: PRS 14:1 Phase II Low Mass Lo

The PS #2043 Private Stock 513 Electric Guitar represents a rare opportunity for customers to own an incredible and truly one-of-a-kind guitar. The PS #2043 features a double-cutaway swamp ash body with a superb curly maple top finished in stunning glacial blue, and a South American mahogany neck with a Brazilian rosewood fretboard. The 513 has a 25-1/4" scale, a narrow and deep neck profile, tall wide frets and a sculpted neck heel, making the playability of this instrument both fast, and expressive. This instrument is highlighted with beautiful white mother-of-pearl and paua purfling around the top, fingerboard, and truss rod cover. (Paua is made from the lusterous blue-green shell of a harvested New Zealand sea snail). A PS Eagle inlay graces the headstock, and the fingerboard is dressed with special 513 style mother-of-pearl bird inlays.The 513 has a unique and easy-to-use integrated electronics control system, which is how the name of this great model came about—513 stands for 5 pickups and 13 sounds. This patented pickup system provides 13 modern and vintage sounds utilizing 5 proprietary single-coil pickups. Controls include a master volume, master control and two blade switches. One blade switch is a 5-way pickup selector, and the other is a 3-way mode switch that allows you to select between the single-coil, clear humbucking and heavy humbucking modes. This is one of Paul Reed Smith's most versatile instruments that can go from screaming humbuckers to sparkling single coils with the flick of a 3-way.PRS Guitars has always strived to build the highest quality instruments possible, and its goal in the Private Stock program is to do this same thing—but take it up another level. These finely crafted instruments are specially ordered and built to customer specifications. The Private Stock team consists of a small crew of highly talented, seasoned guitar makers working at PRS Guitars. The woods are carefully picked from the PRS "Private Stash," and these extraordinary pieces of wood are some of the best instrument-grade woods found on the planet. Each guitar is stained with a complex special technique to bring out the most figure and create an unprecedented three dimensional quality. The instrument is carefully guided through each craftsman's hands, and finally checked by Paul and the PRS Private Stock Team to ensure the best instrument possible. Each instrument is signed by Paul and receives a Private Stock number along with a letter of authenticity describing the specifications and features of that particular instrument.

Model: 513. Top: Curly Maple. Back: Swamp Ash. Neck: South American Mahogany. Neck Joint: Special Set. Neck Profile: 513 Narrow and Deep Neck Carve. Fingerboard: Brazilian Rosewood. Number of Frets: 22. Fretwire: taller, wider 513. Fingerboard Inlays: White Mother-Of-Pearl 513 bird inlays with a Paua outline. Fingerboard Purfling: White Mother-Of-Pearl with Paua outline. Fingerboard Radius: 10". Headstock Veneer: Brazilian rosewood. Headstock Veneer Inlay: Private Stock Eagle White Mother-Of-Pearl with Paua outline. Scale Length: 25-1/4". Nut width: 1-11/16". Body Binding: Paua. Body Purfling: White Mother-Of-Pearl with Paua outline. Truss Rod Cover: Brazilian Rosewood with White Mother-Of-Pearl Purfling with Paua outline. Pickups: 513 Pickup System (patents applied for). Pickup Controls: Volume, Tone, 5-way blade pickup selector, 3-way blade mode selector (heavy humbucking/clear humbucking/single coil). Hardware: Nickel. Tuning Pegs: PRS 14:1 Phase

The Fender® custom Shop Yngwie Malmsteen tribute Stratocaster® guitar (a.k.a. the "play loud" guitar) is a meticulous reproduction of Malmsteen's beloved instrument. Produced in limited edition it is authentic in every detail, including the famous "play loud" sticker on the upper horn and, of course, the distinctive scalloped maple fingerboard.Like the original, it features DiMarzio® HS-3 pickups in the bridge and neck positions and a standard Fender '70s-era middle pickup, with a standard Fender bridge, a large headstock, and a battered Olympic white finish expertly treated to mirror each of the original guitar's many battle scars the nicks, dings, scratches, burns, and worn finish spots from decades of heavy use and abuse in Malmsteen's masterful hands.

Model Name: Custom Shop Yngwie Malmsteen Tribute Stratocaster®. Body: Alder. Neck: Maple, Modern "C" Shape with Machine Screw Mounting Inserts (Nitrocellulose Lacquer Finish). Fingerboard: Scalloped Maple, 9.5" Radius (241mm). No. of Frets: 21. Pickups: 2 Dimarzio® HS-3 (Neck & Bridge), Standard Fender® '70s-era (Middle). Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. No-Load Tone Control (Bridge and Middle Pickups). Pickup Switching: 3-Position Blade; Position 1. Bridge Pickup Position 2. Middle Pickup; Position 3. Neck Pickup. Bridge: Standard Fender Tremolo. Machine Heads: Fender®/Schaller® Vintage "F" Style Tuning Machines. Hardware: Chrome. Pickguard: 3-Ply White/Black/White. Scale Length: 25.5" (648 mm). Width at Nut: Brass Nut, 1.650" (42 mm). Unique Features: New Special Refined '60's Shape Neck, New Machine Screw Neck Mounting Inserts, New Bullet Truss Rod Nut, New Deeper Scalloped Finger

Model Name: Custom Shop Yngwie Malmsteen Tribute Stratocaster®. Body: Alder. Neck: Maple, Modern "C" Shape with Machine Screw Mounting Inserts (Nitrocellulose Lacquer Finish). Fingerboard: Scalloped Maple, 9.5" Radius (241mm). No. of Frets: 21. Pickups: 2 Dimarzio® HS-3 (Neck & Bridge), Standard Fender® '70s-era (Middle). Controls: Master Volume, Tone 1. (Neck Pickup), Tone 2. No-Load Tone Control (Bridge and Middle Pickups). Pickup Switching: 3-Position Blade; Position 1. Bridge Pickup Position 2. Middle Pickup; Position 3. Neck Pickup. Bridge: Standard Fender Tremolo. Machine Heads: Fender®/Schaller® Vintage "F" Style Tuning Machines. Hardware: Chrome. Pickguard: 3-Ply White/Black/White. Scale Length: 25.5" (648 mm). Width at Nut: Brass Nut, 1.650" (42 mm). Unique Features: New Special Refined '60's Shape Neck, New Machine Screw Neck Mounting Inserts, New Bullet Truss Rod Nut, New Deeper Scalloped Finger

PRS Modern Eagle Prototype #2 Electric Guitar ¹

PRS Howard Leese Limited Private Stock Golden Eagle Electric Guitar Yellow Amber

The Howard Leese Limited Private Stock Golden Eagle Electric Guitar is identical to the instrument that Paul Reed Smith built for Howard in the early 1980s, which was the first PRS to have a maple top. This is a limited run of 100 guitars. Features unique to the Howard Leese Gold Eagle include a thicker mahogany body, a wide-fat neck profile with a modified heel, a pre-factory Santana headstock shape, an ebony headstock veneer, and a vintage amber finish. Appointments include a gorgeous curly maple top, bird fingerboard inlays, green abalone strips running parallel between the two Seymour Duncan Zebra Santana II pickups, crème pickup rings, and amber top hat style control knobs. Includes a green Howard Leese flight case with purple lining.

Gibson Custom Michael Bloomfield Aged 1959 Les Paul Standard Electric Guitar BF095

Gibson Custom L-5 CES Electric Guitar Natural

Gibson Custom Michael Bloomfield Aged 1959 Les Paul Standard Electric Guitar Bloomfield Burst

The depth and mellowness of the Gibson L-5 CES is winning acclaim for this fine jazz guitar from the most discriminating artists. The tonal quality of the acoustic guitar and the advantages of an electric are combined in one instrument. Very few carved guitars are built each year because of the scarcity of the wood required and the handcrafting involved. The building of the L-5s is overseen by Jim Hutchins, a Gibson Builder since 1963. The process has remained relatively unchanged since the 1950s, including the hand-tuning of the top and back. Guitarists sing the praises of the comfortable vintage neck; the fast, easy action; and the rich beauty of the carved spruce top. Other features on the Gibson guitar include a figured, carved maple back with solid maple rims; a pearl inlaid ebony fingerboard; and beautiful multi white-black binding. With the creation of the L-5 in the 1920s, the modern archtop guitar was invented and it has set the standard for all carved guitars that have followed. (Click on "Private Reserve" at left to see more gorgeous pics.)

To most guitar and blues aficionados, Michael Bloomfield was more than just a renowned, big-city blues guitarist. A session player who was weaned on Chicago's legendary south side blues, Bloomfield forever altered American-based blues with his bold and passionate guitar playing. The master craftsmen at Gibson Custom have introduced the much-anticipated Michael Bloomfield Aged 1959 Les Paul Standard, an accurate recreation of the instrument Bloomfield used to create the legendary "Bloomfield Sound." The Michael Bloomfield Aged 1959 Les Paul Standard faithfully captures that celebrated tone, along with every precious detail of the original. Starting with the Les Paul's traditional hand-carved maple top and solid, non-weight relieved mahogany back, this instrument is pure Gibson, right down to such time-honored appointments like CTS potentiometers and bumble-bee capacitors, holly headstock veneer, Grover kidney tuners and a rounded neck profile similar to those on the original Les Pauls from 1959. The Michael Bloomfield Aged Les Paul is fitted with a Gibson BurstBucker 1 pickup in the neck position and BurstBucker 2 pickup in the bridge position. BurstBuckers are among the most accurate vintage "PAF" reproductions that Gibson has ever conceived, right down to the irregular windings from coil to coil and their lack of potting, two ingredients that contribute to an authentic late-'50s and early '60s humbucker tone. This special reissue is available in a limited release of only 100 guitars and will be "aged" by renowned finish and restoration artist Tom Murphy, to look exactly like the finish on Bloomfield's original Les Paul. This was achieved through the careful examination of hundreds of photos of the original. This signature model comes with a standard Gibson Custom case silkscreened with Bloomfield's signature, a custom care kit and certificate of authenticity.

Graceful Venetian cutaway, pearl and abalone inlays on an inky ebony fretboard. Features a gold-plated, individually fingered jazz tailpiece and a fully adjustable saddle with a pearl-inlaid ebony bridge base. The BJB floating pickup with gold cover is mounted to the pickguard rather than the neck for a smooth, mellow tone without feedback. Sleek, lightweight peghead design.

The Adrian Belew Signature Fly Electric Guitar—Parker's first signature instrument—is loaded with groundbreaking technology. The electronics alone offer such a range of tonal diversity that the Parker Adrian Belew may be the last guitar you will ever want. The Sustainiac pickup in the neck position serves up an amazing array of liquid tones when the guitar is in Sustainiac Mode. When the tone control is turned fully clockwise it activates an octave-up Sustainiac setting. A DiMarzio humbucking pickup in the bridge position gives you all the great tones of a traditional guitar. The RMC piezo system in the bridge saddles offers lush acoustic guitar tones. The built-in Line 6 Variax System puts 25 different guitar models at your command. The Variax offers 5 categories, each with 5 different sounds triggered by a 5-way slide switch, plus 10 custom user-defined presets. This Parker guitar can also drive any MIDI controller with its 13-pin output giving you access to the world of guitar synths.Parker has spent 25 years correcting all the things that are inherently flawed in traditionally made electric guitars. The headstock with all unnecessary material removed has less weight and improved tone resonance. The exoskeleton crafted from carbon, glass, and epoxy is actually baked into the neck wood to increasing strength and stability and create a guitar that will never lose its perfect intonation. The Parker Adrian Belew Signature Guitar's fingerboard is also made of carbon, glass and epoxy that eliminates dead spots and is impervious to the effects of temperature and humidity. The signature Belew guitar's stainless steel frets will never wear out or need to be replaced. The sculpted poplar body is extremely comfortable, highly resonant, and weighs only 4½ lb, making it easy on your shoulder during long sets. The Parker flat-spring vibrato system is completely consistent and stable, assuring that your guitar stays in tune whether you're bending or dive-bombing like a demon. Sperzel Trim-Lok tuners make changing strings a breeze and ensure your tuning is dead-on and stays that way.

5-way Pickup switching: . Position 1 (back) - bridge pickup . Position 2 - bridge pickup and Piezo acoustic pickup . Position 3 (middle) - Piezo acoustic pickup . Position 4 - neck pickup and Piezo acoustic pickup . Position 5 (front) - neck pickup .

The Taylor Presentation Series PSGAce-W01 Grand Auditorium Acoustic Electric Guitar boasts a master grade Sitka spruce top and master grade Brazilian rosewood back and sides for the ultimate in tone and beauty. A beautiful green heart abalone Byzantine inlay gracefully meanders along the fretboard. Abalone inlays also highlights the rosette, top purfling, headstock, and bridge. With the addition of gold-plated Gotoh tuners, the Taylor Expression System, and a Venetian cutaway, this exquisite instrument exhibits a rich, full tone with the versatility needed for live performances.Using proprietary pickup technology developed at Taylor, the Expression System amplifies your guitar with an unrivaled natural live sound. On-board tone controls provide added flavor, or set for an uncolored exceptionally clean amplified sound. Plugged in or not, the tone of this beautiful rosewood guitar will fill the room with its amazing projection.The grand auditorium is Taylor's most versatile and popular body style, excelling in light touch fingerstyle or full blown strumming. Great for miking and recording, the Grand Auditorium's balanced midrange and bright tone exemplify the Taylor voice. The PSGAce-W01 Grand Auditorium Acoustic Electric Guitar is truly a work of art.

Gibson Custom Le Grande Electric Guitar Chablis

Alder body. Neck-thru-body construction. 25-1/2 scale. Extra thin U-shaped contour maple neck. Ebony fingerboard. 24 extra-jumbo frets. Mirror inlays. 13.77 fretboard radius. Locking nut. 1.65 nut width. Black hardware. Gotoh tuners. Floyd Rose Original bridge. EMG-81 (bridge)/EMG-60 (neck) active pickups. Ouija board graphics. Case included.

Alder body. Neck-thru-body construction. 25-1/2 scale. Extra thin U-shaped contour maple neck. Ebony fingerboard. 24 extra-jumbo frets. Mirror inlays. 13.77 fretboard radius. Locking nut. 1.65 nut width. Black hardware. Gotoh tuners. Floyd Rose Original bridge. EMG-81 (bridge)/EMG-60 (neck) active pickups. Ouija board graphics. Case included.